Sarah's work combines performance, installation, writing and film. In 2022-24 she worked with composer James Keane & film-maker Charlie Doherty to present her seven film installations: Merry Andra, Larmes de Clown; Grief, End o' Aw Days & PHENOMENON #1 & #2 - exhibited in scratch form (as part of her ongoing project experiments in emotion) at the Open House strand of Brighton Fringe. In March 2024 Sarah won a DYCP grant from the Arts Council of Great Britain to develop her work as a film-maker. In May 2024, Sarah showed her seven piece film installation MERRY ANDRA, Larmes de Clown: KNAG in the Open House strand of the Brighton Festival again, in which she also shared a new poem CRACK... and tar (as part of a scratch performance and) which is currently being made into a perfomance film installionation. As part of the experiments in emotion project, Sarah is also creating pret-a-porter sculptures, exploring prevailing themes of sorrow, grief and rage and how they manifest in 3 dimensions.

   

Sarah was born in Dundee, Scotland. She trained at Chelsea School of Art (sculpture) and Ecole International de Theatre Jacque Lecoq in Paris. She has worked extensively in theatre, both movement and text based, as well as creating installation performance works. Between 2015-2017 Sarah performed her solo show THE RED CHAIR (a Clod Ensemble Production) directed by Suzy Willson with music by Paul Clark.  The dramatic text of The Red Chair is published by Bloomsbury Methuen. The Red Chair is an award-winning solo show directed by Suzy Willson with music by Paul Clark.